Game of Thrones: Margaery Tyrell Cosplay

Margaery Tyrell Cosplay

This whole costume turned out much better than I anticipated so be ready for an abundance of photos in this post. If you want to see more pics, check out my Flickr album.

Margaery Tyrell Cosplay

I also promise to keep this post as spoiler free as possible.

margaerydress

So, why Game of Thrones? Why Margaery? Well, the costumes on that show are fantastic. And GoT has no shortage of fabulous lady characters of all types but I like Margaery’s character for several reasons. As a young queen she’s clever and ambitious. Tenacious, self-serving but at times truly kind. She’s loyal to her family but is always looking out for #1. She knows how to play the game and she does it with flair.

Margaery Tyrell Cosplay

And she is played superbly by the lovely Natalie Dormer whom I first watched on The Tudors many years ago (her signature smirk is difficult to mimic, I tried my best).

Margaery Tyrell Cosplay

But in the end, I thought I could figure out how to design one of her iconic costumes without needing to use a pattern.

Let’s talk about the dress. After assessing pictures of the real costume, I used the highly accurate method of “Let’s See if This Works” to design my version.  I did a combo of flat pattern manipulation, draping, and excessive pinning until I got a bodice shape that worked.

Margaery Tyrell Cosplay

From the production stills, it looks like a wrap front gown with skirt gores. So I designed a cross-over front with hooks and eyes for closure.

As for the skirt, I measured my waist, divided it by six, added seam allowances and cut 7 gores (one for overlapping in the front) that widened at the hem. I lined the skirt and the bodice with white muslin.

Margaery Tyrell Cosplay

The shoulder bits wrap over from front and attach at the back sides. There’s actually a trapezoidal shaped piece under the neck connecting the two shoulder pieces in the real version but for mine, I decided to simply make the shoulder parts wider to meet in the middle.

The main bodice fabric is some poly brocade from Joann, a lucky find as I struggled for months to find a suitable design with the correct colors. The only problem – it frays and snags easily.

Margaery Tyrell Cosplay

The shoulders are a stretch velvet, also from Joann, stiffened with some deco-bond-like Pellon interfacing for handbags, and are attached by hand tack stitches in a few spots along the bodice.

Margaery Tyrell Cosplay

The skirt used voile from Fabric Wholesale Direct. It was cheap, wide, and the perfect color.

I lined the skirt and the bodice with white muslin.

Margaery Tyrell Cosplay

What to do with my hair kept me from taking photos for so long. I hate wigs, usually, but I had to admit, my natural hair wasn’t going to cut it. So I bought Arda Wigs’ Grace Classic in Light Brown. I still don’t enjoy having an itchy, sweaty scalp but for less than $40 it was the perfect hair for this costume and I’m glad used it.

Margaery Tyrell Cosplay

Finally, the belt. Margaery hails from Highgarden so flowers play a major part in her costume motif. Her house motto is “Growing Strong.” I purchased my resin rose belt from this Etsy seller (highly recommended, but it looks like she’s no longer making it. You could always send her a message and ask). The belt is attached with skinny ties on either side sewn into the waist seam.

Margaery Tyrell Cosplay

I’ll try wearing this cosplay to the local Comic Con in the fall. I had better wear it while I can, the final season of the show comes out next year!

Mid-Victorian underthings

Early Victorian Undies

Warning: this post is long. I’m sharing six (!!!) pieces I’ve made. All for costumes.

I’m working on several historical costumes right now but this group of garments is for my 1840s costume.

Early Victorian Undies

Some of these items are more 1860s/Civil War era, others much earlier, but they can still be used for the 1840s.

Early Victorian Undies

Let’s start from the innermost layer and work our way out…

Chemise:
Victorian Chemise and Corset

Made of white muslin, the chemise was like a big oversized 18th century t-shirt. It keeps sweat from getting on your corset (which cannot be as easily washed). Women would have had a bunch of these in their wardrobes, way more than dresses themselves.

I used Simplicity 2890. Had to remind myself that Big 4 costume patterns like to double down on the ease factor. Originally it was way too big at the shoulders so I cut a size smaller yoke pieces and re-sewed it.

In this era women would also wear “drawers” which are like big, poofy , open crotched bloomers, however I haven’t made any yet.

Corset:
Victorian Chemise and Corset

Made with plain white coutil and steel boning. The Silverado version of Laughing Moon Merchantile’s #100 pattern, which is the longer style with the bust gussets. Only, not knowing how to properly pick size, the bust ended up too big and I had to hand sew the gussets smaller. If only I had seen this adjusted size chart earlier.

Victorian Chemise and Corset

It’s not the best, but it’ll do for now. It’s still decorated for my Elizabeth Comstock cosplay.

Bum Roll:

Victorian Roll

I used random cotton stash fabric and 1″ wide cotton twill tape. Originally from Simplicity 3727 but it ended up HUGE. Like, obnoxiously big, so I made it about half the size by cutting out the whole back seam and sewing it up again.

Victorian Roll

Much better. With all the petticoats and the final dress weighing it down it does actually look pretty nice.

Corded petticoat:

Corded Petticoat

White muslin and yards and yards of 1/6″ cotton cording. This was a common item in the days before metal cage hoop skirts. Rows of cording plus lots of starch helped the skirt stand away from the body, accentuating the bell shape that was popular at the time.

I based the petticoat on a bunch of extant examples found online and modern versions made by costumers. Originally I used the width of two lengths of fabric (90″) but that made the skirt so wide that it would fold in on itself. I lopped off about 10″ of width to compensate.

Corded Petticoat

I sewed a total of 40 rows of cording in 5 row groups spaced about 2″ apart. I would have done more but frankly I was sick of it and gave up. I then pleated the fabric into a waistband made of twill tape with a side opening.

Middle Petticoat:

Hand sewn petticoat

White muslin, 1″ wide cotton twill tape, all hand sewn! Yep, that’s right. I sewed this entire petticoat by hand! So accurate! BASK IN MY ACCURACY!!!1!

This is technically an 18th century style petticoat which is fine, because it works well in several eras.

I followed this basic tutorial. It’s 36″ long because I used 36″ wide fabric and put it lengthwise around me.

It’s basically two pieces, seamed partially up the sides, hemmed at the bottom, and pleated to two separate lengths of twill tape ties. The twill tape folds over the raw edge, encasing it like a binding. You end up tying it on kind of like an apron.

Hand sewn petticoat

The box pleat in front keeps it nice and flat at the waist and the knife pleats go all away around to the back.

Outer petticoat:

Early Victorian Undies

And the final petticoat! White muslin, two hooks and eyes. This petticoat is huge! It’s from Butterick 5831 but the original pattern called for an 8″ wide eyelet trim. Ha! Like I could find 8″ wide trim, and even if I did those things are like $20 a yard.

Early Victorian Undies

So instead I went with a long gathered strip of fabric. But I had a hard time getting the gathers spaced evenly on such a long line (this skirt is like, 5 yards wide) that eventually I thought “You know, maybe pleats would be easier?”

They were not. But at that point I was committed. Committed to 15 freaking yards of pleated fabric. Yet it is complete so I am happy now.

Early Victorian Undies

All together it forms the basis of the early Victorian era silhouette – slopes shoulders, nipped in waist, and big wide bell-shaped skirts with some emphasis in the back.

I even tried to do my hair in the standard – middle part, pressed down over the ears style but my hair isn’t long enough to stay in place.

And after all this work to look “accurate” for these pics, I completely forgot about my bright blue toenails. Oh, well, can’t fix it now.

All I need at this point is to finish my bonnet and hem my dress and I’ll be ready to show off my full outfit.